02-262000
101
7109
1966
36
880
11.3
1954
03
6.08
241
309
7.08
1935
12.20
53
1961
2.16
8011
40204
037
8044
2598
61
8077
1394
538
1061
448
8009
102
8102
1987
044
0051
1968
704
1031
1984
1954
764
1940
9.9
1972
815
4.12
2023
8012
55
1217
584
3221
007
2194
2082
2388
105
56
2025
103
714
1993
954
4.4
1969
2450
91
56
21
716
801
417
602
5618
238
1443
813
9085
47
175
2118
6904
007
4656
388
266
1054
957
104
6104
1995
3.22
1931
727
755
1701
1984
218
908
10
85
1888
27
2879
213
8014
9085
264
5856
1103
05
2071
609
6833
2421
218
802
105
08
2001
713
079
1977
LV
426
105
10
1642
1979
402
795
361
0852
984
815
088
303
9322
26
1294
301
5404
1018
933
57
3891
106
31
2017
429
65
871
24
541
656
M
113
12.6
27
05
85
12.25
7884
8016
585
227
0483
210
6885
107
4154
2604
888
2105
377
107
5
2022
784
3304
42
733
1224
5801
23
1015
84
36
029
24
318
12.24
87
363
22
768
9811
723
8675
309
5042
1885
70
8008
108
23
174
91
947
28
527
04
0469
2200
88
1985
540
3121
308
9571
404
8018
795
2705
3281
979
2024
12
018
4895
604
3184
265
03-111968
04-041969
05-1701D
06-071984
07-081940
08-47148
09-081966
10-31

Tasha Yar derserved better

I'm writing Yar fanfic because the story did her dirty. There won't be any porn in it, just a heads up.

It all started when I was barely halfway through season 1 of TNG and I was getting ROYALLY PISSED about how Yar was written. And, naturally, I went to complain about it on the internet. But because of who I am, it wasn't about to just complain, I needed to give my 2 cents about how she SHOULD have been written. The themes that would have made a compelling character. Since then, I've finished most of the show and gotten much more Yar lore. And you know what? I'm doubling down.I wrote post about gender in TNG, but I skipped over Yar because her character is so egregious, it's not enough to just talk about it: I need to fix it.

Why *should* Yar be an incredible character?

She is perfectly poised, narratively, to be a character that tackles tough themes about how trauma and grief can make people into less noble versions of themselves. Picard believes that everyone can be kind: he also grew up in a beautiful vineyad in solarpunk France. Must be nice, Picard. Imagine a *foil*, a character with a completely opposing background, who challenges Picards noble notions with her cut-throat survival instincts. DO YOU SEE THE VISION?

She's already set up to be an incredible character. Within the fiction:

  • Yar has *sever* childhoood trauma, including witnessing her parents deaths.
  • It's heavily implied that Yar was sexually assaulted as a child or teen, or at least lived in constant fear of sexual assault.
  • Yar has no guardians after the age of 5.
  • Yar's little sister, who she protected when Yar was only 5 years old, joined the cadre Yar blames for her parents' deaths.
AND YET
  • Despite being from a failed colony that is not part of the federation--
  • Yar became a young, accomplished Starfleet officer (on the friggin FLAGSHIP). Normally, people from outside the Federation can't join Starfleet.
  • Yar is a tactical officer, meaning she knows weapons and combat.
  • Yar has been noted for multiple acts of extreme bravery and valour, more than is expected of Starfleet officers.
So how do we reconcilie these realities? Ignore them entirely and write a bland character? NEVER! YAR DESERVES BETTER!

I want to write a story about how violence changes a person. About how cruelty can make you cruel. About how sometimes, the hardest part is *surviving the Peace*. I want to write a story about violence, not a noble Klingon act of bravery or a solution of last resort, but as something that gets woven into your DNA, intertwined with survival instincts that didn't leave time for moral quandries or deliberation. The kind of underhanded, rogue-like violence that will happily take the coward's way out because honour is a luxury for other people, the kind who've grown up in French vinyards. Not for those who've had to claw their way out from the gutter, those who've had to beg, borrow, steal, kill, and who know full well it's important they *never* consider the morality of these actions because surely, if they did, it would all fall apart.

There is a doctor who will die to save a patient. There is a tactical officer who will kill anyone to save herself. And she has.
There is a Klingon warrior who dreams of dyign in battle. There is a tactical officer who knows what death looks like, the stink of it. She knows there is no glory amongst the maggots and rot.
There is a captain who believes humans are, in their hearts, good. There is a tactical officer who knows just how evil humans can be. The kind of cruelty they will exert for survival, sure, but even for amusement. She doesn't get to his optimism. In her world, optimism gets you killed.
There is a ship full of people eager to explore the unknown, reaching out ever further. But there is a tactical officer who isn't exploring, she's running away. She knows that stationary prey is always more vulnerable: you're better off moving. There's safety in that.

I will post the fanfic to Ao3 as I publish chapters, but I will post my notes here, including my thoughts on the underlying themes, and notes about Yar. There may be some spoilers in my notes, but that's the risk you run.